The following article circulated through the Internet in late
2000. Its author is listed as David Milne, but I have no information
about its original source, authoritative text, or copyright
assertions. Inasmuch as it has been reproduced dozens of times in
various digital forms, I believe I am not intruding upon any
intellectual property by reproducing it here. Mr. Milne's text appears
in colored roman type. My comments
appear indented in white italics intermingled with the text to which
they refer. Where I intrude upon Mr. Milne's paragraphing, "[...]"
appears.
Did man really walk on the moon or was it the ultimate camera trick?
In the early hours of May 16, 1990, after a week spent watching
old video footage of man on the moon, a thought was turning into an
obsession in the mind of Ralph Rene. [...]
As with the Collier article, the
basis for this article is the arguments of the supposedly brilliant
Ralph Rene, who has no qualifications or credentials in any kind of
science or engineering. He's a "self-taught" engineer.
[...] 'How can the flag be fluttering when there's no wind on the
atmosphere free Moon?' [...]
Quite simply, there are other forces besides air movement that can
cause the flag to flutter. This is discussed in detail here.
[...] He started investigating the Apollo moon landings, scouring
every NASA film, photo and report with a growing sense of wonder,
until finally reaching an awesome conclusion: America had never put a
man on the moon. The giant leap for mankind was faked. It is of course
the conspiracy theory to end all conspiracy theories. But Rene has now
put all his findings into a book entitled NASA Mooned America,
published by himself.
The story lifts off in 1961 with Russia firing Yuri Gagarin into
space, leaving a panicked America trailing in the space race. At an
emergency meeting of Congress, President Kennedy proposed the ultimate
face-saver, put a man on the moon. With an impassioned speech he
secured the plan an unbelievable 40 billion dollars. And so, says Rene
(and a growing number of astro-physicists are beginning to agree with
him),[...]
What astrophyscists? May we have names? Of course not.
That's because the astrophysics community correctly regards Mr. Rene
as a kook. Dr. Douglas Osheroff, professor of physics at Stanford
University, says, "[Ralph Rene] is obviously a crackpot or a
charlatan."
[...] the great moon hoax was born. Between 1969 and 1972, seven
Apollo ships headed to the moon. Six claim to have made it, with the
ill-fated Apollo 13 - whose oxygen tanks apparently exploded halfway -
being the only casualty. But with the exception of the known rocks,
which could have been easily mocked up in a laboratory,[...]
I've entertained a number of proposals for how to fabricate false
lunar material. So far nobody has come up with a process that has a
prayer of fooling the eminent, life-long geologists who work with
lunar rocks. They either fail to produce the features geologist say
characterize lunar material, or they leave behind by-products that
would tip off geologists.
The fact remains that many eminent geologists, some from countries
that have no vested interest in protecting America's secrets, have
examined the material NASA says came from the moon, and without
exception they all agree that it is not terrestrial in origin.
To those who say lunar material can be "easily mocked up in a
lab," I say put your money where your mouth is. Do it, or at least
describe a credible process for doing it.
[...] the photographs and film footage are the only proof that the
Eagle ever landed. And Rene believes they're fake.
There is other evidence. The Jodrell Bank radio observatory in
the United Kingdom tracked the spacecraft independently of NASA. And
since the United States and the Soviet Union routinely tracked each
other's spacecraft and listened in on their radio traffic, it's
reasonable to suppose that the Soviet Union also tracked the Apollo
spacecraft. These signals have to be received with precisely-aimed
radio telescopes. There are plenty of non-NASA non-Americans who can
testify to having intercepted Apollo radio traffic from the moon.
NASA even published its radio frequencies ahead of time so that other
countries could listen in.
For a start, he says, the TV footage was hopeless. The world tuned
in to watch what looked like two blurred white ghosts gambol through
rocks and dust. Part of the reason for the low quality was that,
strangely, NASA provided no direct link up. So networks actually had
to film 'man's greatest achievement' from a TV screen in Houston - a
deliberate ploy, says Rene, so that nobody could properly examine it.
This is discussed fully here. Briefly,
the measures taken to reduce the amount of radio bandwidth required to
carry the television signal made the signal incompatible with
broadcast standards. The fastest and easiest way to convert the
low-resolution, low-rate signal to the standard TV signal was simply
to aim a standard television camera at the monitor NASA had specially
modified to display the altered signal.
It doesn't make sense to argue that the signal was intentionally
degraded to keep it from being closely examined. Later missions
offered considerablly improved video, and more of it. A smart
hoaxster would intentionally degrade the longer broadcasts, which ran
a greater risk of accidentally ruining the illusion.
By contrast, the still photos were stunning. Yet that's just the
problem. The astronauts took thousands of pictures, each one
perfectly exposed and sharply focused. Not one was badly composed or
even blurred.
This is discussed in depth here.
Until recently, NASA routinely provided only those photos the public
seemed interested in. This argument is completely bogus to anyone
who's seen the full set of photographs from the Apollo missions.
As Rene points out, that's not all: the cameras had no white
meters or view ponders. So the astronauts achieved this feat without
being able to see what they were doing. [...]
I'm going to take a wild guess and presume the author is talking
about "light meters" and "viewfinders". Since I don't have
Mr. Milne's authoritative text I can't be sure where these words come
from. But it's certainly helpful to Mr. Milne's case to use the
correct words. I have no idea what a "view ponder" might be, and
neither does anyone else I've asked.
As noted here, the exposures were
worked out ahead of time. And if you have a wide-angle lens there's
not much of problem with framing.
[...] Their film stock was unaffected by the intense peaks and
powerful cosmic radiation on the moon, conditions that should have
made it useless. [...]
Ralph Rene adequately demonstrates below that he has no idea what
constitutes the radiation in the vicinity of earth and moon.
Therefore we don't especially believe his assertion that the radiation
would have ruined the film.
A full treatment of the effects of radiation on photographic film
can be found here.
[...] They managed to adjust their cameras, change film and
swap filters in pressurised clubs. It should have been almost
impossible without the use of their fingers.
It is a persistent but incorrect assertion that astronauts were
completely fumble-fingered inside their space suit gloves. A complete
discussion of the dexterity possible in space suit gloves is found here.
We're accustomed today to working with the small rolls of 35mm
film and the strips of plastic film that have to be wound around
spools inside our cameras. But the Hasselblad 500/EL camera has
always used a magazine loading system. The magazines were preloaded
on earth in a darkroom. The magazines are large enough to handle
easily in space gloves.
The adjustments for focus and aperture for the Zeiss Biogon lens
were the standard rings on the lens barrel. It is quite possible to
operate these wearing space gloves.
Hasselblad was happy to modify the shutter speed control on the
camera so that an astronaut in space gloves could operate it. And the
shutter was tripped by a trigger and pistol grip that was easy to
operate in space gloves.
In short, Ralph Rene should do more homework.
Award winning British photographer David Persey is convinced the
pictures are fake. His basic points are as follows: The shadows could
only have been created with multiple light sources and, in particular,
powerful spotlights. [...]
As near as we can tell, the limit of David Percy's laud amounts to
a yearly award given by a small, obscure association of industrial
filmmakers in Great Britain. It's not like anyone has ever heard of
him except in connection with Apollo conspiracy theories.
David Percy categorically eliminates any irregularity in the
surface as a possible cause of differing shadow lengths, even when his
own evidence demonstrates it. If one goes
to great lengths to eliminate the obvious, then only the preposterous
must remain and that's the basis of Percy's proof. He demonstrates an
almost uncanny ability to judge the sun elevation and azimuth angles
to within fractions of a degree from a single shadow cast by an
irregular object onto varied terrain.
But sadly obvious is the way the astronauts' shadows fail to
conform to the expectations that follow from a single nearby spotlight
lighting the entire scene. Moving toward or away from a nearby
spotlight would indeed change the length of shadows cast on level
ground, but in the direction opposite that which we observe!
[...] But the only light source on the moon was the sun.[...]
David Percy doggedly maintains this, mostly because he knows that
most of his arguments will vanish if this weren't true. In fact, the
reflection from the lunar surface is a very significant source of
indirect light on the lunar surface. In fact, the astronauts comment
upon it frequently. There was a strong tendency for the light to
reflect back specularly in the direction of the sun. This obscured
details.
[...] The American flag and the words 'United States' are always
brightly lit, even when everything around is in shadow.[...]
[...] Not one still picture matches the film footage, yet NASA claims
both were shot at the same time.[...]
This is a good idea of the
ill-researched rubbish Percy produces to support this claim. If he
had really examined large portions of the Apollo record as he claims,
he could not make this assertion.
Other evidence, for example, says the highlights from the sun on
the astronauts' visors are brighter in the video than in the still
photography. Percy refuses to consider that the difference in imaging
technology (i.e., vidicon tubes versus Kodak film) might produce such
an effect. And earlier Milne complains about the "two blurred white
ghosts."
And while Milne quotes Percy as claiming that there is no fidelity
at all between the video and still record, Percy can really only come
up with about two or three examples and they can all be easily
explained by means other than deliberate falsification. But it's a
good example of Percy's tendency to state a tentative conclusion and
then refer to it as incontrovertible fact by the end of the paragraph
without having provided any additional proof.
[...] The pictures are so perfect each one would have taken a
slick advertising agency hours to put together. But the astronauts
managed it repeatedly.[...]
Echoing Ralph Rene's assertions, David Percy assures us that the
all the Apollo photos are surprisingly excellent. But just like Rene,
Percy bases this on a very incomplete examination of Apollo
photographs. Percy claims he has made an exhaustive study of the
Apollo record, but obviously he has not.
When confronted with the generally low quality of the entire
record, Percy responds: "All the images, even the 'less good' or 'more
ordinary' pictures, exhibit the same contradictory errors -- or
deliberate mistakes."[Aulis] It appears to me
that Percy is sidestepping the issue. He doesn't explain why he
claims the quality is generally good when it is generally bad, only
that his claims of anomalous lighting, etc., can be seen in all the
photos.
[...] David Persey believes the mistakes were deliberate, left there
by whistle blowers, who were keen for the truth to one day get
out.[...]
[...] If Persey is right and the pictures are fake, then we've only
NASA's word that man ever went to the moon. And, asks Rene, why would
anyone fake pictures of an event that actually happened?
Ask David Percy. Percy maintains that astronauts probably did
land on the moon, but not the astronauts we are told about. Percy
adamantly distances himself from other conspiracists in that he claims
only the record was falsified, not the project itself. So Percy
indeed claims that NASA faked images of an event that he acknowledges
might have really happened.
The questions don't stop there. Outer space is awash with deadly
radiation that emanates from solar flares firing out from the sun.
Standard astronauts orbiting Earth in near space, like those who
recently fixed the Hubble telescope, are protected by the earth's Van
Allen belt. But the moon is up to 240,000 miles distant, way outside
this safe band.
And, during the Apollo flights, astronomical data shows there were
no less than 1,458 such flares. [...]
Solar events occur every few days. The mistake is to assume that
all these events are potentially lethal, or even of any serious
concern. The astronauts would only be harmed by the most energetic
solar events, the kind that occur only once in ten years or so. And
although the results would be harmful, they would probably not be
fatal.
In 1972 there was a series of enormously powerful solar events.
These would have disrupted an Apollo mission and probably made the
astronauts sick or damaged their equipment. The next such event
occurred in 1989, damaging several communications satellites. The
next occurred in 1997. The chances of a first-magnitude solar event
happening during any given Apollo mission were astronomically small.
The use of the given statistic is highly misleading. We know that
some traffic accidents are fatal, but the vast majority of them are
not even injurious and produce only minor property damage. Reporting
the total number of accidents as if they were all fatal would be
dishonest.
[...] John Mauldin, a physicist who works for NASA, once said
shielding at least two metres thick would be needed. [...]
No one at NASA has ever heard of a physicist named John Mauldin,
either past or present, employee or contractor. According to NASA's
personnel office, nobody by that name has ever worked for NASA.
I doubt the above estimate was given by a qualified physicist. We
are told that two meters are required, but two meters of what?
Shielding against particle radiation is not so much a matter of
thickness but of composition. Metals make poor particle shields
because of bremsstrahlung emission of gamma rays.
This whole line of reasoning seems to treat radiation as a
homogeneous "boogey man" with straightforward effects and remedies.
While huge thicknesses of dense material such as lead and concrete
must be used to stop wave radiation (e.g., gamma rays), wave radiation
is not the chief concern in space.
[...] Yet the walls of the lunar landers, which took astronauts
from the spaceship to the moon's surface were, said NASA, 'about the
thickness of heavy duty aluminium foil'. How could that stop this
deadly radiation? [...]
Mr. Milne relies on the general public's simplistic perception of
radiation. Namely, that it's a singular phenomenon that requires
bulky shielding for protection, and that it's dangerous even in small
doses.
The answer to Mr. Milne's questions lies in what he hasn't
explained about radiation. There are two basic types of radiation:
particle radiation and wave radiation. Particle radiation is very
dangerous, but it's also relatively easy to shield against. While it
would require many centimeters of dense material to shield against
wave radiation, particles can be stopped by thicknesses of aluminum
less than one centimeter.
In fact, the bremsstrahlung effect actually makes thin metal
shielding more appealing than thick metal. The thicker metal would
simply provide more metal molecules for a braking particle to strike,
increasing the overall radiation dosage.
The command module hull was actually a sort of sandwich made by
stainless steel on the outside, aluminum on the inside, and a sort of
felt-like insulation in between. This combination is a very effective
shield against the type of radiation encountered in space, which is
different that the kind of radiation emitted by a microwave oven or
produced in a nuclear reactor.
[...] And if the astronauts were protected by their space
suits, why didn't rescue workers use such protective gear at the
Chernobyl meltdown, which released only a fraction of the dose
astronauts would encounter? [...]
First, such gear was not available.
Second, the type of radiation released at Chernobyl was different
than that found in the Van Allen belts. Nuclear fission produces vast
amounts of wave radiation (x-rays and gamma rays) that requires thick
shielding.
Third, the contention that the Chernobyl meltdown released only a
fraction of the radiation found in the Van Allen belts or in deep
space is unsupported and is simply wrong.
[...] Not one Apollo astronaut ever contracted cancer. [...]
Well, not yet anyway. Strangely enough this fact never seems to
motivate the conspiracists to go back and examine their original
assumptions. This is what logicians call a "straw man" -- a
meaningless contradiction. Sure, no astronaut has yet reported a
radiation-related sickness (except, perhaps, for Buzz Aldrin, who
fears he has suffered neurological damage). But that's because the
conspiracist's expectations of radiation exposure are naive.
Furthermore, every Apollo mission before number 11 (the first to
the moon) was plagued with around 20,000 defects apiece. Yet, with the
exception of Apollo 13, NASA claims there wasn't one major technical
problem on any of their moon missions. Just one defect could have
blown the whole thing.
No, not all defects are of equal magnitude. If Mr. Rene had any
actual engineering experience or knowledge he would understand that
20,000 defects is not a shockingly high number. In fact, it's rather
low for an experimental program. And not all defects refer to
life-threatening problems. See here for
a fuller discussion.
In order to evaluate NASA's claim that no major technical problems
occurred, we have to decide what is considered "major". Apollo 11's
lunar module computer software had a bug in the descent program. Its
onboard timer also failed. These would be considered serious defects
by the engineers, but the astronauts were not in danger of losing life
or limb.
Apollo 12 was struck by lightning during launch.
Apollo 14's docking mechanism failed to function, almost
cancelling the mission. "Loss of mission" is considered a very
serious failure in the aerospace industry, but it would not have
jeopardized the astronauts' lives.
Apollo 16 was delayed in landing because of a failure on the
command module.
To say that the operational Apollo flights were unremarkable
except for Apollo 13 is misleading. At no time on the other missions
were the astronauts put in serious danger by technical failure, but
there were plenty of failures that engineers might call serious.
Space oddities:
1. Apollo 14 astronaut Allen Shepard played golf on the moon. In
front of a worldwide TV audience, Mission Control teased him about
slicing the ball to the right. Yet a slice is caused by uneven air
flow over the ball. The moon has no atmosphere and no air.
It's amazing what some people will try to take seriously. It's a
joke, people! Don't quibble, just laugh.
Yes, it requires an atmosphere to either slice or hook a golf
ball, not by "uneven airflow" (the airflow over a golf ball is always
uneven), but by undesired unevenness in the airflow caused by
inadvertent rotation about its vertical axis.
Mission Control CAPCOM Fred Haise wasn't seriously claiming that
Shepard had sliced his shot, just as Sheparad wasn't serious when he
said it flew for "miles and miles". (According to an interview with
Ed Mitchell, it went about sixty feet.) And Haise never joked that it
went to the right, only that he had sliced it.
2. A camera panned upwards to catch Apollo 16's lunar lander
lifting off the moon. Who did the filming?
XXX, the camera operator at Mission Control. It's fairly common
knowledge that the television cameras on Apollos 15, 16, and 17 were
operated by remote control from Houston. And the video footage from
those missions is rife with pans, tilts, and zooms with both
astronauts away from the camera (indeed, in the frame).
That someone would emphasize this one particular shot as anomalous
indicates that he hasn't examined (or thought about) any of the other
video material from that mission, or looked into the procedures or
equipment used on those missions. Earlier we were assured that
Mr. Rene had voraciously read lots of material from NASA. Now we see
that perhaps Mr. Rene's research was a bit more casual that first
claimed.
3. One NASA picture from Apollo 11 is looking up at Neil Armstrong
about to take his giant step for mankind. The photographer must have
been lying on the planet surface. If Armstrong was the first man on
the moon, then who took the shot?
I have examined the entire photo series from Apollo 11 and I can
find no such picture. There are only about three Hasselblad photos of
Neil Armstrong on the lunar surface, and none of them purports to be
of him taking his first step. The embarrassing fact is that Armstrong
was a far better photographer than Aldrin, so Armstrong was given the
task of taking most of the photos during Apollo 11's lunar surface
exploration. And consequently most of the pictures are of Aldrin.
With this fact in mind, we might suppose that Mr. Milne is
actually looking at the series of photos taken of Aldrin as he worked
his way out of the small lunar module hatch. NASA engineers were
especially interested in seeing how easily one could squeeze through
the narrow hatch, and so Neil took six or seven photos of Aldrin's
egress. Since Aldrin was at the top of the ladder and Armstrong was
standing on the surface, it might appear that these were taken from an
abnormally low angle.
It's also pretty common for conspiracists to produce photos taken
during training on earth and represent that they are actual lunar
photos. One should expect to see a large number of "anomalies" in
such photos, but it's unlikely that NASA expects us to believe that
photos including test engineers standing around in shirts and ties
were actually taken on the moon.
Until we see which photo Mr. Milne is describing, we can't be sure
what his actual claim is.
4. The pressure inside a space suit was greater than inside a
football.[...]
Wrong. Rawlings, for example, recommends that footballs be
inflated to between 12.5 and 13.5 pounds per square inch. The Apollo
space suits were inflated to only about 3.5 pounds per square
inch.
[...] The astronauts should have been puffed out like the Michelin
Man, but were seen freely bending their joints.
The outer layer of the space suit covers a very futuristic looking
pressure bladder. As seen in the detailed discussion here, the knees and elbows of the suit were
fitted with a type of bellows joint which allowed them to hold
pressure while at the same time making them easy to bend.
Nevertheless the astronauts did note that upper-body fatigue was a
problem. Long periods of working against the stiffness of the suit
would tire them out. Crews of later missions adapted to this by
building more upper-body strength on the recommendation of the initial
crews.
5. The moon landings took place during the cold war. Why didn't
America make a signal on the moon that could be seen from earth? The
PR would have been phenomenal and it could have been easily done with
magnesium flares.
It is a common belief that we can use powerful telescopes to
directly view very small details on the lunar surface. But in fact
even the most powerful telescope available, the Hubble Space
Telescope, can only see objects on the moon which are larger than 200
feet in size. While a magnesium flare could be ignited on the moon,
it's simply not true that such a thing would have been visible from
earth.
Text from pictures in the article:
1. Only two men walked on the moon during the Apollo 12 mission.
Yet the astronaut reflected in the visor has no camera. Who took the
shot?
2. The flag's shadow goes behind the rock so doesn't match the
dark line in the foreground, which looks like a line cord. So the
shadow to the lower right of the spaceman must be the flag. Where is
his shadow?
3. And why is the flag fluttering?
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