Katherine Bradley was born in 1848. She raised her niece, Edith Cooper (born in 1862), from childhood. Katharine originally published her poetry under the penname Arran Leigh. When Edith was sixteen years old, Katharine attended classes with her at Bristol University.
The two began writing poetry together under the penname Michael Field. They also wrote plays and a journal together (which confirms that Katherine and Edith were lovers).
Edith died of cancer in 1913. Eight months later, Katharine also died of cancer.
CONSTANCY
I love her with the seasons, with the winds,
As the stars worship, as anemones
Shudder in secret for the sun, as bees
Buzz round an open flower: in all kinds
My love is perfect, and in each she finds
Herself the goal: then why, intent to tease
And rob her delicate spirit of its ease,
Hastes she to range me with inconstant minds?
If she should die, if I were left at large
On earth without her-I, on earth, the same
Quick mortal with a thousand cries, her spell
She fears would break. And I confront the charge
As sorrowing, and as careless of my fame
As Christ intact before the infidel.
MY DARLING
Atthis, my darling, thou did'st stray
A few feet to the rushy bed,
When a great fear and passion shook
My heart lest haply thou wert dead;
It grew so still about the brook,
As if a soul were drawn away.
My darling! Nay, our very breath
Nor light nor darkness shall divide;
Queen Dawn shall find us on one bed,
Nor must thou flutter from my side
An instant, lest I feel the dread,
At this, the immanence of death.
AH, EROS DOTH NOT ALWAYS SMITE
Ah, Eros doth not always smite
With cruel, shining dart,
Whose bitter point with sudden might
Rends the unhappy heart --
Not thus forever purple-stained,
And sore with steely touch,
Else were its living fountain drained
Too oft and overmuch.
O'er it sometimes the boy will deign
Sweep the shaft's feathered end;
And friendship rises without pain
Where the white plumes descend.
LO, MY LOVED IS DYING
Lo, my loved is dying, and the call
Is come that I must die,
All the leaves are dying, all
Dying, drifting by.
Every leaf is lonely in its fall,
Every flower has its speck and stain;
The birds from hedge and tree
Lisp mournfully,
And the great reconciliation of this pain
Lies in the full soft rain.
UNBOSOMING
The love that breeds
In my heart for thee!
As the iris is full, brimful of seeds,
And all that it flowered for among the reeds
Is packed in a thousand vermilion-beads
That push, and riot, and squeeze, and clip,
Till they burst the sides of the silver scrip,
And at last we see
What the bloom, with its tremulous, bowery fold
Of Zephyr-petal at heart did hold:
So my breast is rent
With the burden and strain of its great content;
For the summer of fragrance and sighs is dead,
The harvest-secret is burning red,
And I would give thee, after my kind,
The final issues of heart and mind.
MAIDS, NOT TO YOU MY MIND DOTH CHANGE
Maids, not to you my mind doth change;
Men I defy, allure, estrange,
Prostrate, make bond or free:
Soft as the stream beneath the plane
To you I sing my love's refrain;
Between us is no thought of pain,
Peril, satiety.
Soon doth a lover's patience tire,
But ye to manifold desire
Can yield response, ye know
When for long, museful days I pine,
The presage at my heart divine;
To you I never breathe a sign
Of inward want or woe.
When injuries my spirit bruise,
Allaying virtue ye infuse
With unobtrusive skill:
And if care frets ye come to me
As fresh as nymph from stream or tree,
And with your soft vitality
My weary bosom fill.
ALREADY TO MINE EYELIDS' SHORE
Already to mine eyelids' shore
The gathering waters swell,
For thinking of the grief in store
When thou wilt say 'Farewell.'
I dare not let thee leave me, sweet,
Lest it should be for ever;
Tears dew my kisses ere we meet,
Foreboding we must sever:
Since we can neither meet nor part,
Methinks the moral is, sweetheart,
That we must dwell together.
The Fight for Equality
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