Pauline Mary Tarn was born in Paddington, England, in 1877. She went to school in Paris until she was nine years old and returned to England when her father died. As an attempt to receive the money left to Pauline, her mother declared her insane. The court then declared Pauline their ward until she was twenty-one. Pauline then returned to Paris.
When Pauline reached Paris, she changed her name to Renée Vivien to symbolize her rebirth. She then met Natalie Barney, an American heiress who was known for her flamboyant lesbian lifestyle. The two became lovers.
Renée then began publishing her poetry under "René Vivien," which is masculine. However, after publishing a few books, she began to use "Renée" to indicate her sex.
Renée wrote much of her poetry about Natalie Barney and Violet Shilleto. Violet was Renée's childhood friend and lover who died in 1901. She appears in Renée's work as repeated images of violets and purples.
Pierre Louys and Sappho were major sources of inspiration to Renée. They helped Renée to define her poetic style.
After Renée ended her relationship with Natalie in 1901, she became lovers with Baroness Heléne de Zuylen de Nyevelt. Their relationship ended in 1906. Renée continued to have relationships with women all the way until her death in 1909. She died of alcoholism and anorexia.
Little of Renée's poetry is available in English. It was originally composed in French.
UNDINE
Your laughter is light, your caress deep,
Your cold kisses love the harm they do;
Your eyes--blue lotus waves
And the water lilies are less pure than your face…
You flee, a fluid parting,
Your hair falls in gentle tangles;
Your voice--a treacherous tide;
Your arms--supple reeds.
Long river reeds, their embrace
Enlaces, chokes, strangles savagely,
Deep in the waves, an agony
Extinguished in a night drift.
THE TOUCH
The trees have kept some lingering sun in their branches,
Veiled like a woman, evoking another time,
The twilight passes, weeping. My fingers climb,
Trembling, provocative, the line of your haunches.
My ingenious fingers wait when they have found
The petal flesh beneath the robe they part.
How curious, complex, the touch, this subtle art--
As the dream of fragrance, the miracle of sound.
I follow slowly the graceful contours of your hips,
The curves of your shoulders, your neck, your unappeased breasts.
In your white voluptuousness my desire rests,
Swooning, refusing itself the kisses of your lips.
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Aphra Behn (1640?-1689)
Juana Inés de la Cruz (1651-1698)
Anna Seward (1747-1809)
Wu Tsao (1800)
Emily Dickinson (1830-1886)
Katherine Bradley (1848-1915) and Edith Cooper (1862-1913)
Katharine Lee Bates (1859-1929)
Charlotte Mew (1869-1929)
Amy Lowell (1874-1925)
Gertrude Stein (1874-1946)
Angelina Weld Grimké (1880)
Edna St. Vincent Millay (1892-1950)
Elsa Gidlow (1898-1986)
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