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Chakeeta's


           DREAMS SYMBOLS           
A




ABANDONMENT A necessary preliminary to being independent; may occur in the
dreams of young people about to go out on their own.



ACCIDENT (Misfortune) Happening to the dreamer: = He is punishing himself, in a token
way, to appease his conscience. - The lengths to which the
unconscious is at present prepared to go in order to avoid responsibilities,
difficulties, or decisions; it may later find a more effective means.
Happening to somebody else in the dream: = Aggression toward that
person, though the dreamer has superficially avoided responsibility.



The ACTION of the Dream Nothing appears in the dream
that the dreamer didn't put there. However much the 'I' of the dream is sorry,
tries to rescue the other figures, or alter the action, he nevertheless
remains responsible for everything else that takes place as well.



AGGRESSION = Aggressive impulses that have been stifled in
waking life but are still breeding resentment in the depths of the unconscious.
Somebody else may seem to be the aggressor, while the dreamer
appears to be the victim or innocent bystander, isolated from the
violence or even appalled by it. Yet the dream may still be revealing
something about the dreamer's underlying aggression, how he proposes to
handle these impulses and the possible consequences. As long as the conscious mind
recognises this basic impulse of survival, it can usually come to terms with it.
Aggression suffered by the dreamer: = Some aspect of the dreamer's life is being
menaced by the aggressor, who, once he is identified, may turn out to be
the last person the dreamer would have recognised as a threat in waking life.
Aggressor, victim, enclosure: = The parents, formerly protective
and helpful, have now become destructive to the growth of the individual.
This theme recurs in the dreams of young people due to leave home and the
family circle, the enclosure.
Sexual passion. - Aggression and passion are often not
differentiated in dreams. - Thus, being hit with a stick or otherwise
assaulted, especially in women's dreams. Sexual assault.
- Being sexually assaulted by someone of the same sex: = Passive homosexuality.
Being exaggeratedly aggressive and violent,
in a man's dreams: = Determination to conceal the feminine side of his nature
even from himself.



ANIMALS = The animal vitality of the dreamer:
either the body with it's instinctive sexual cravings, or the subhuman and
"bestial" impulses of the unconscious.
Trying to find some refuge from animals, whether by
building fences or shoring up inadequate buildings, etc,: = The dreamer's struggle
with his animal instincts. The dream may indicate whether the precautions
being taken are adequate or if more is required. These instincts may be
threatening or damaging other aspects of the individual's life.
Taming or harnessing the animals: = The dreamer's efforts to control
his instincts and if possible render them constructive, useful.
Killing the animal: = Managing to restrain
the animal is bettter than killing it, which may at the same time destroy the
vital energy derived from the instincts.
Eating the animal: = Reassimilating the energy.

Other people, especially the parents. - If the sex of the
animals is not indicated, then the larger may represent the father and the smaller
the mother: = The dream could be about repressed
wishes and fears centering on infantile sexuality, which is often incestuous.

Aspects of the unconscious that are superior
in certain respects to ordinary human attitudes. - Talking animals, wise,
awe-inspiring, or god-like animals: = Animals are superior to man
because they have not yet blundered into consciousness or pitted their
self-will against the power from which they derive life. It is always important
to pay attention to this aspect of animal life in fairy tales and dreams. =
The Self.
Helpful animals: = Helpful stirrings of the unconscious, probably
rendered cooperative because the conscious attitude is positive and 'right'.

Baby animals: = Children (especially, 'kid', 'lamb', etc).
Animals that never grow up (the runt pig etc.): = Infantilism.
The dreamer's inability to mature or to face life.
Animal with a cub: = Motherliness, and therefore the mother.

Bear. = The Mother; the Great Mother;
'bearing' children, and caring for them.
Hugging to death: = The possessive
devouring mother. - An 'overbearing' person, a 'bear' of a man; possibly the father.
- To 'bare', to expose.

Bull. = Sexual passion, as creative power or,
more often in it's negative aspect, blind rage, destructive brute compulsions.
Slaying the bull. = Initiation into the world of the
mature adult, who masters his instincts in order not to be at their mercy.

Cat. = The feline, the catlike in human beings,
usually in women; the elegant but also the uncanny of witches' familiars and
Egyptian gods.

Chameleon. = Adaptability.

Cold-blooded animals. = The cold, unrelated, inhuman aspect of the instincts.

Composite animals. = The various qualities of the
different animals of which they are made up. Two potentials of development
in one figure.
Half animal, half man. = The animal instincts are beginning to be humanised.

Cow. = Providing milk, nourishment. The eternal femine,
especially the mother or mother figure.

Deformed animals. = The dreamer thinks of his impulses as
repugnant, revolting.

Dog. = The 'dogged' or doglike in people.
The faithful and devoted companion, or somebody the dreamer can't shake off
and who might make trouble (depending on the rest of the dream but also on the
dreamer's waking attitude to dogs).
A dog belonging to someone: = That person.
A dog that the dreamer used owned or knew at some period of his life:
= That period of his life.
A huntress with dogs: = The Amazon/Huntress Self or Anima.
A dog guarding some gates, near a cemetary, etc: =
The fact that dogs devour corpses may account for their being the guardians of the
underworld (Cerberus); "the hounds of Hell"; creatures that must be pacified and put
to sleep before the dreamer can pass through the underworld.

Domesticated animals (Tame animals). = Passions under control; also suggests
that those passions were never very formidable.

Elephant. = Earth. The Self, radiant and glowing.

Frog. = Transforms from a tadpole and moves onto the land.
- A period of transformation (frog into prince?). (+ SNAKE, as all reptiles
may have the same significance.)

Goat. = Lasciviousness, procreation (Pan, Satan).
Those who will be sorted from the sheep. The dark side of human nature.
Riding a goat: = The dreamer's relationship with
the dark side of his nature.

Hare. = Swift, curious, fearful, and leaps. - Intuition,
spiritual insight; intuitive 'leaps.' In it's warped, negative aspect intuition
may be degraded by fear or ignorance into madness; 'mad as a March hare.'
- The Priestess/Witch or the Trickster/Black Magician.
Radiant hare, holding it's baby in a cave: = The Mother of God.

Horns. = The orgiastic experience of natural instinctive life.
Horns belong to Pan and the Devil. But also (if the animals or demigod horned
creatures are radiant) the positive aspect of phallic power, which is fertility and
creation. Or the positive and negative aspects of a conflict. Or problem:
'the horns of a dilemma.' Or adultery: making the cuckold 'wear horns.'

Horse. = The energy at a man's disposal.
The horse under strain or dying: = A severe weakening of
this dynamic power that carries a man forward ('horsepower'); it is important
to not the forces or circumstances that are weakening or killing it.
A winged horse. = The poetic imagination; being
harnessed to a cart indicates that it is being abused for thoroughly utilitarian purposes.
- A ruling passion, an instinct that carries the dreamer away.
In a man's dream: = A woman; or the Anima, the realm of the feminine.
In a woman's dream, being kicked-especially in the stomach by the
hind leg of the horse-or otherwise attacked: = The desire to be
taken sexually by an ardent lover.
A black horse: = The unruliness of the passions (+ COLORS).
Someone on a pale horse: = Death.
A horse that can get through any door and batter down all obstacles:
= The collective Shadow.
The horse as beast of burden: = The Mother, or
Mother Archetype. In modern dreams the car has largely
taken over from the horse as a symbol with many of the same associations.
- Unconscious energy, which the individual may be preparing to use in his service by
giving it the neccessary attention.

Lion: = 'Devouring' appetite, 'raging' desire, brute force,
unredeemed instinct.
The struggle with the lion: = This should mark a
successful stage in maturing as long as the dreamer is not overpowered
or the lion killed.
A man-eating lion can roam free in the jungle but not in
the villages: = The image of the dream is much clearer and more
vivid than any explanation about how everything has it's proper place.
A lion lying with a lamb: = A union, or compatibility of opposites;
instinct and spirit going hand in hand.
- Pride or courage.

Lizard. = One-track thinking.

Monkey. = The infantile, childish, and arrested side of the
dreamer's character; in the womb the fetus goes through a reenactment of the
phases of evolution, and at one stage has something in common with the monkey,
which always sits in the embryo position. No wonder it has become the image of
regressive tendencies, whether toward the primitive and subhuman or the specifically
childish. - Ape of God, and therefore the Devil.

Monster, Dragon, etc. = A remote monstrous fear, beyond understanding,
usually threatening from within rather than from the outside world.
The devouring monster: = The 'jaws' of death.
The dream may deal with man's continual quest for immortality.
If the dreamer gets the better of the monster: = His triumph
over his own fear of death, if the monster is an image of that fear.
The most basic and primitive quality of life-the 'prima materia' of
alchemy-from which the individual must first free himself by conscious effort;
though later he may be able to harness this force for specifically human purposes.
Cutting out the monster's heart or other vital organ, or
lighting a fire inside it: = The struggle against the dark forces of
the underworld.
Winged dragon/dragon without wings: = Spirit v. Earthly.
Man-eating monsters: = The insatiable hunger of the
infant, and therefore exaggerated demands.
"All monsters and impossibilities are vain hopes of things which will not turn out'
(Artemidorus).

Mouse. = Mousey, diffident.

Otter. = Has some of the same significance
as fishing but in a primitive form: the unconscious content (the fish)
are likely to be digested without ever being brought to dry land and the light of
consciousness.

Parts of animals = (the limbs, eyes, mouth, etc):
These usually have the same significance as parts of the human body.
If the four legs of an animal are particularly emphasized,
possibly in contrast with a three-legged animal; = quaternity; or a
whole rounded personality with all four functions of the mind fully
developed. Tail: = Penis.

Pig or Wild Boar. = Ignorance, stupidity, selfishness, gluttony.
It may be that the dreamer's better self is beginning to recognise these unattractive
qualities in himself; without such recognition there can be no transformation or
mastery of them.
Pigs and jewels: = Pearls before swine,
and the failure to appreciate spiritual values.
Swineherd. = The Prodical Son, and a period of
licentiousness and degradation which is drawing to a close.
Big litter of piglets = Fruitfulness:
Sow: = The Terrible Mother.
Wild Boar: = Elemental and destructive phallic power.
The archetypal masculine principle, and therefore the negative Animus in a
woman's dream; more superficial, the dreamer may be
confronted by her repressed incestuous desires. The rest of the dream
should indicate whether the dreamer is evading an issue that should be confronted and
dealt with more courageously, or whether the best that can be hoped for in the
circumstances is to find adequate protection for the time being.

Prehistoric animals. = Something from the remote past,
and therefore from childhood, which is emphasized by the dreamer's size
in relation to these monsters, which depict the giantlike proportions of adults
seen through the eyes of a child.
- Primal darkness and chaos. The gross dinosaur flesh that has been refined
into human form and flesh be the slow process of evolution and elimination.

Preoccupied animals. - If the animals are too preoccupied
to take much notice of the dreamer: = Narcissism, autoeroticism.

Rabbits. = Fertility: breeding like rabbits. - Intuition, because modern
town-dwellers fail to differentiate between rabbits and hares int heir dreams.
A white rabbit: = May show the dreamer the gateway
to an inner world as in 'Alice in Wonderland'.

Rat. = The diseased, not only because rats carry plague,
but also because they infest a house, which is an image of the body.
They may depict something else that is physically repulsive or sexually obscene
to the dreamer, or be images of his morbid outlook. - Somebody whom the dreamer
unconsciously thinks of as a 'rat'-likely to be disloyal and leave the sinking ship
first. - Devouring and therefore the Terrible Mother.

Sheep. = The god-fearing, 'good sheep'.
Also the passive and 'sheepish'.
Sheep/wolves, sheep/goats: = Good v. evil.
One of the most important elements in trying to understand a dream is to be
able to relate it to the individual's waking life, to discover the points of contact:
if Artemidorus still deserves a certain respect, it is because he was already
doing this assiduously in the second century. A manwho was hoping for a large
inheritance came to him with a dream about shearing sheep. In the dream he left
the sheep half shorn and carried off half the wool, which the dreamer himself
interpreted as meaning that he would get half the inheritance. As it turned out,
he got nothing at all, so Artemidorus concludes, empirically enough,
that leaving a job half done in a dream is a bad omen.

Sinister animals. = The pressures from the unconscious
are such that the dreamer doubts his ability to cope with them.

Snake. = Sexuality. The image of the snake is as complex
as the problem of sexuality, which may strike like poison to destroy a man's life,
or be transformed into the deepest and most satisfactory relationship possible on
earth. Snake dreams usually occur when the dark instinctual levels of existence
are rejected and repudiated by the conscious mind, which is then more threatened
than ever by them. Only by accepting and assimulating the dark earthly and
primitive side of our nature can we become mature human beings. Man is part beast
and part angel, but those who only try to be angel may end up the worst beasts.
A snake twined around the body or a limb. = Bondage, a slave to the passions.
A snake, or worm, leaving a corpse by it's mouth: =
Coitus: and that eternal aspect of man which resides in his powers to procreate.
Therefore the snake may signify the root of being, life itself, with it's beginnings
that cannot be traced, of indefinite size and shape, yet determining the size and shape
of everything the very energy and dynamic power that distinguishes the corpse from
the living person.
With it's tail in it's mouth: = Again, coitus and the
eternal principle, as above. Also the whole libido.
Being swallowed by a snake = 'The serpent of time consumes us'.
'A snake in the grass'. = Disloyalty, envy, calumny.
Perhaps because they signify the chain of life, or because they are
deadly poisonous, snakes are also associated with the souls of the dead, with ancestors,
and the underworld of death as well as that of the unconscious.
- The principle of evil, the Collective Shadow, the devil who seduced
Eve in the serpent's guise.
- Fear, anguish, which may relate to an inner state of apprehension about all that
is strange and has to be conquered; or to an actual danger that must be overcome.
Especially snake twined around a staff or a similar object:
= Healing, rebirth, renewal, possibly because the snake sloughs its skin
and 'grows young again', also because of the effect of the unconscious forces that
may be released once the individual is no longer divided against himself.
- Wisdom: 'be wise as serpents'; a worldly cunning with which to match evil.
- The colour of the snake may help pin down it's significance.

Toad. = An ugly creature, and therefore
whatever the individual considers ugly in his behaviour; abortions, especially because
the toad has something in common woth the embryo.
Toad/eagle: = Earthly v. spiritual values.

Transformation of animals. = Metamorphosis of the dreamer or other
people into animals, animals into people, etc.

Unicorn. = The source of grace, which
includes the idea of purity. It is a symbol of the herald of Christ, as well as
of the Holy Spirit that conceived of the Virgin.
- The union of opposites (two horns symbolise conflict-so the unicorn
has been interpreted as the resolution of that conflict), and the surge of renewed
vitality when the tension and conflict are resolved.

Vermin. - In the house: = may have the same
significance as insects (like lice on the body) and refer to an unwanted
pregnancy; parasites, small scurrying creatures, the patter of little feet,
and therefore undesired children, whether progeny or younger brothers and sisters.

Vertebrates: - Lower: = The Unconscious. Higher: = The emotions.

Wild animals. = Danger, whether dangerous passions within or the dangerous people.
- Brute destructive force from the unconscious, threatening the safety
of the individual. The instinct or drive must be prevented from becoming destructive
and harmful. - Dangerous people. The parents may be depicted as frightening animals
if the dreamer is in danger of depending too much on them; then the unconscious
compensates for this by making them appear in their negative, terrifying aspect.
- The embodiment of anxiety.
Domesticating wild animals: = A veneer (only) of civilised behaviour;
or else that fear has been overcome, at least superficially.

Wolf. = Alarming, swift-moving predator. -
The unrestricted, unsheltered, and vicious; the diabolical inhabitant of the wilderness.
frequently used to portray cruel, sadistic fantasies without apparent responsibility
on the part of the dreamer.
In winter and at night: = The wolf is
particularly vicious and dangerous, a night visitor of battlefields.
The she-wolf: = The harlot; but also known in myth and
life to care for and suckle outcasts.
- The Terrible Mother.

Wounded animals. = See 'Wounds'.



APPETITES - Hunger or thirst: = Sexual desire. All
appetites are interchangeable in dreams, but usually some less embarrassing substitute
serves as an image of sexual desire.
Sharing a meal with someone: = A wish for intercourse with that person.
Stopping to drink at a fountain: = The dreamer
satisfying his sexual desire for a woman in fantasy (this would certainly be so if
accompanied by an emission).
Restaurants: = Brothels.



ARCHETYPES.



ASCENDING. = Development and increase, possibly within the
mind or in the sexual sphere. May refer specifically to erection or to waking
up-the waking state in contrast with sleep.
Ascending and descending in an elevator: = Coitus, toward
which the dreamer has a somewhat mechanical attitude.

ASHES. = An act of abasement, whether the sackcloth and
ashes of contrition, or being belittled and humiliated involuntarily. - That which
endures after the fire, namely, the spirit.

ATTITUDES - What seems to be the dreamer's attitude in the dream
cannot be trusted; usually bogus. It is often just a charade, a pose,
adopted in order to conceal real feelings, which are in fact better revealed
by the actiion of the dream and the underlying emotion accompanying the dream.
The dreamer may adopt this bogus attitude in order to avoid apparent
responsibility for the action of the dream, salve his conscience, or express
the other side of his inner conflict.



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