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My Professional Writing Papers

Technical Writing ·  Exposition & Argumentation ·  Non-fiction Creative Essays ·  Grammar and Usage of Standard English ·  The Structure of English ·  Analysis of Shakespeare

Analysis of Literary Language ·  Advanced Professional Papers ·  The History of the English Language ·  First Internship: Tutoring in a Writing Workshop ·  Second Internship: Advanced Instruction: Tutoring Writing

Visual Literacy Seminar (A First Course in Methodology) ·  Theories of Communication & Technology (A Second Course in Methodology) ·  The Writer's Guild

Journalism

UMBC'S Conservative Newspaper: "The Retriever's Right Eye" ·  UMBC'S University Newspaper: "The Retriever Weekly" ·  Introduction to Journalism ·  Feature Writing ·  Science Writing Papers

The Shipka Spaces: Language in Society

Communicative Objective #1 (CO1): A re-contextualization of the Oxford English Dictionary (OED)

Communicative Objective #2 (CO2): A hyper-modest proposal for two un-researched communicative practices within the study of language in society

Presentation/Activity: "Back to the Little Red Schoolhouse: A re-articulation of the index card method of organization for research papers"

Blackboard Weekly Posts (A Bulletin Board Community)

A History of "this" Space

"Welcome to the Anti-Apathy Club:
A study of UMBC student culture within the Shipka Spaces"

The Task Order for a History of "this" Space ·  Photos of the Artifacts Compromising a History of "this" Space ·  The End Product of a History of "this" Space

Goals, Choices, and Process Narrative-Sketch of a History of "this" Space ·  The Rolling Credits of a History of "this" Space

Click here to win a date with Lev Trotsky

Click here to win a date with Lev Vygotsky

An Explanation for a History of "this" Space

Explanation of How to Read “This” Communicative Objective
The reading path of “this” communicative objective is linear. The reading path is as follows:

1. Read how to read “this” communicative objective and read through “this” entire page (you are here now).
2. Next, read "The Task Order for a History of "this" Space" in order to understand the purpose of the history, the historian's mission, and if he or she chooses to accept, the parameters involved in its design.
3. Moving forward, read "The End Product of a History of "this" Space."
4. Proceed to “Goals and Choices” where everything behind the curtain of this "history" will be revealed. “Goals and Choices” is the place where the majority of the work and the composing is being done.
5. Next, read through the “Rolling Credits,” the “shout outs” to those who contributed to “this” communicative objective.