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Newsletter Vol. I
JULY 2001

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"I Will Always Be A Filipina"

ã by: Edessa Ramos

First published in the Sunday Chronicle, September 1996, Manila

Not long ago, a friend of mine who writes for the Manila Sunday Chronicle asked me the question: How much do you feel your sense of nationality? Not knowing that my candid response would end up in his weekly column, I was quite direct and uninhibited. The result was the following.

Profoundly. That's how I feel my sense of nationality. I always had a deep sense of being Filipino, and this feeling was further enhanced when I started traveling to other countries. In the milieu of multi-culturalism and global diversity, I discovered that there are so many opportunities to express one's pride in being Filipino.

In the physical sense, I became very much aware of my brown skin, more appropriately called kayumanggi, my dark hair and eyes, my slight build - all in contrast to the white woman's image which so many of our countrymen for the past century have admired.

The challenge is to enhance these physical characteristics of the Filipina with ideas inspired by our ancestors and history (much like the way African women proudly wear indigenous materials and coil their hair in magnificent braids, enhancing skin color and the uniqueness of their culture). We have yet to develop such fashion in clothing unique to the Filipino and yet is practical for today's lifestyle (the way blue jeans are super-practical) and easily popular. Meanwhile, we can start with accessories that are culturally inspired.

In the spiritual sense, I discovered that the foundation of my spirituality is rooted in our history.

By reading more on the lives and works of our heroes, I am able to formulate a set of values to live by that are uniquely Filipino.

My sense of romance is inspired by the exploits of our heroes. From our indigenous ancestors, I am able to rejuvenate my belief in a Creator (Bathala). The Creator fulfills the vacuum in my soul more profoundly than the Catholic Church has been able to. This belief is combined with the learning from Jose Rizal's own religious faith as contained in his writings, a faith that is anchored on God's presence manifested through the mysteries of life and nature and not through the rituals of the church.

In the intellectual sense, I try to learn more from Filipino studies, analyses of phenomena, inventions and discoveries. The Filipino has been the First in so many things, and many of our ideas have been stolen and appropriated by the west. In trying to understand the dynamic of culture vis-a-vis progress, I look towards Sikolohiyang Pilipino (Filipino Psychology) as a scientific body of thought that explains the socio-psychological dimension of the Filipino. The use of western psychology methods not only gives erroneous results but it perpetuates the misunderstanding and miseducation of the Filipino.

In terms of my writing, I am currently trying to write more in Tagalog, starting with translating my works from English, a language I have been more comfortable with as a result of my neo-colonial education. Later, mastery of the language became useful for international writing. Nevertheless, it is important for Filipino writers in English to raise our level of comfort and expertise in writing in Tagalog and perhaps the other Filipino languages.

As a student of language who has currently ventured into German, I came to appreciate fully the importance of language as the embodiment of our identity, as a people, and in a personal way. In my own personal experience, Tagalog is the cradle of my childhood memories, the identity of my parents and families, the joys and pains of life's struggles. How can I remember my childhood in German. I will have to undergo an intense and tedious process of translation to be able to express my childhood in another language and still fail to capture the soul of memories.

In literature, theater, and the arts, while I have always enjoyed works from around the globe, I have come to discover more and more the excitement and innovation of Filipino works. I believe that we are one of the best pioneers of experimental theater. Our literary works are of world caliber. Our visual arts are competitive worldwide. Could there be one more global than the Filipino? In the Filipino is infused the following unique and unparalleled mix: western-tainted experiences resulting from colonialism, revolutionary experiences that gave rise to a very Filipino meaning of liberation, and in modern times, the diaspora of Filipino immigrants and workers to all parts of the earth.

If we can only break free from the bonds of feudal values and thoughts, and a feudal sense of morality that chain our intellect, then we can give full play to the Filipino's ability to be an excellent participant in the global stage.

It is sad to note, particularly in surveys by the Social Weather Station in Manila, that many Filipinos are still at a loss about how to regard their nationality. While most Filipinos would say that they are proud to be Filipino, this can still be a shaky pronouncement.

Being Filipino is not just in the mind, hindi lamang sa diwa o puso. It is also manifested in action, in putting the values and examples of our heroes at work. For example, pakikipagkapwa (the unity of the self with others) - how do we practice this value? Do we throw our garbage in the empty lot next door in order to keep our own yard clean? Do we care for the children on the streets, do we participate in programs that assist the struggling majority of our people? Do we rise up in indignation whenever another Filipina worker is killed abroad? When we travel, do we talk to other Filipinos especially those who are in trouble, or do we isolate ourselves from their company?

Perhaps what we lack is a constant dose of reminders of how great the Filipino was, is and can be. More Filipinos need to discover our greatness by tracing and embracing our collective roots.

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