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THE CIDER HOUSE RULES - B+ Starring: Tobey Maguire, Charlize Theron, Michael Caine, Delroy Lindo, Paul Rudd, Jane Alexander, Kathy Baker, Erykah Badu, Kieran Culkin Directed by: Lasse Hallstrom Drama, 125 min (PG) (Miramax, 1999) John Irving lovingly adapted his own 1985 bestseller for this gentle, Oscar-nominated fable about Homer Wells (Tobey Maguire), a young man raised in an orphanage who leaves home during WWII to experience more of the world around him (including Charlize Theron, lovely as a military man's lonely wife). What Homer encounters is tinged with fiery issues like abortion, addiction and incest, but it's a testament to Irving's screenplay and the lyricism of Lasse Hallstrom's direction that these issues never overwhelm the film's brightly shining spirit. As in the director's What's Eating Gilbert Grape, the performances here are pitch-perfect, with the standouts including Delroy Lindo as a forceful migrant worker, singer Erykah Badu as his daughter and Maguire, who seems to grow up before our eyes. Although he struggles with a New England accent, Michael Caine won an Oscar for his subtle work as Homer's mentor. (top) (back) CINDERELLA II: DREAMS COME TRUE - C- Voices by: Jennifer Hale, Christopher Daniel Barnes, Rob Paulson, Corey Burton, Russi Taylor, Holland Taylor, Tress MacNeille Directed by: John Kafka Animated, 73 min (G) (Walt Disney, 2001) Disney's shameless mining of animated treasures hits a new low with Cinderella II: Dreams Come True, a deadly dull animated picture that joins the cheap Buzz Lightyear of Star Command (2000) and dismal Return of Jafar (1994) as one of the studio's worst direct-to-video sequels. Designed to answer a question that no one ever really asked (What happens after happily ever after?), Cinderella II isn't so much a complete film as a series of three vignettes that may appeal to the young, but will be crushingly boring to everyone else. In the first story, Cinderella (voiced blankly by Jennifer Hale) has troubles adjusting to the princess lifestyle. In the second, French mouse Jaq (one of the few characters that remains endearing here) gets a wish from the Fairy Godmother to be turned into a human and, in the third, Cinderella plays matchmaker for her once-wicked stepsister Anastasia (no, not the Russian princess). Of the three, only the final tale has even a touch of substance, saddled as they all are with flat animation, simplistic messages and painfully predictable story arcs. Truth be told, if my dreams came true, Disney would stick to worthwhile stories and wisely leave remaining classic characters like Pinocchio, Bambi and Snow White alone. (top) (back) |