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RIDE WITH THE DEVIL - B- Starring: Skeet Ulrich, Tobey Maguire, Jewel, Jonathan Rhys-Myers, Jeffrey Wright, Jim Caviezel, Tom Wilkinson, Jonathan Brandis Directed by: Ang Lee Drama, 139 min (14A) (Universal, 1999) It's got a perfectly capable cast and a proven director (The Ice Storm's Ang Lee), but Ride With the Devil nonetheless remains a rather remote affair. In depicting the American Civil war through the eyes of a group of pro-South bushwackers - including the son of a poor German immigrant (Tobey Maguire), the son of a rich plantation owner (Skeet Ulrich), a former slave (Jeffrey Wright) and a frisky war widow (singer Jewel) - the film all too often meanders around the map, failing to bring much excitement or emotional involvement to the proceedings. That said, there is still much to appreciate about Ride With the Devil, not the least of which is Lee's clear-eyed perspective on the fiery issues that first ignited the war. Baby-faced Maguire and Johnny Depp-clone Ulrich give adequate performers, but the two most mentioning here are Wright - who brings just the right amount of tension and dignity to a role that could have easily been a cliché - and, surprisingly, Jewel, who shows promise in her acting debut. (top) (back) RIDING IN CARS WITH BOYS - C+ Starring: Drew Barrymore, Steve Zahn, Brittany Murphy, James Woods, Lorraine Bracco, Adam Garcia, Sara Gilbert, Mika Boorem, Rosie Perez Directed by: Penny Marshall Drama, 131 min (PG) (Columbia Tristar, 2001) There are a lot of bumps in the road to success for this soft-touch adaptation of the 1990 autobiographical novel by Beverly Donofrio and the edge-free, sentiment-heavy direction by Penny Marshall (A League of Our Own) can easily shoulder much of the blame. Drew Barrymore, unconvincingly asked to age from 15 to 35, plays Beverly, a 1960s teenager whose future plans of attending college and becoming a successful writer are derailed when she becomes pregnant in high school. Not surprisingly, this becomes the defining point of Bev's life and future struggles and, for all of the self-pity going on, Barrymore is still able to establish a certain degree of the frustration and helplessness that is needed for the character to earn our sympathy. That said, Barrymore is blown out of the water every step of the way here by Steve Zahn (Joy Ride), whose complex performance as the loser father of Bev's son is a bittersweet marvel and outshines everything else in the picture. Ultimately, however, neither actor is done any favours by Marshall's cut-and-paste approach to the story. Awkwardly jumping from cute comedy to serious family drama and then back again whenever the going gets tough, Riding takes almost enough turns to make you car sick. (top) (back) |